Portree, Isle of Skye, Scotland, Spring
For our 1st full day in Skye, we gradually eased ourselves in.
For our 1st full day in Skye, we gradually eased ourselves in.
Driving 7–8 hours can take it out of you.
So, with pleasing light conditions, we aimed straight for arguably the island’s main settlement, Portree. There’s a fairly well-known hike one can do from Portree, known as the Scorrybreac circuit. You head northeast out of town, take the coastal path below the cliffs of Ben Chracaig, navigate around the corner at Sgeir Mhòe, and follow the coastline towards Toravaig, with magnificent views down the Sound of Raasay and the cliffs of Sìthean a’ Bhealaich Chumhaing. Then it’s a question of hiking up the sharp ascent to Ben Chracaig and onto the path and road back down to Portree.
The views and light around the walk were stunning. Glamaig of the Red Cuillins was coated in snow and clear as a bell.
All photos taken on my Sony α7ii using my Pentax SMC 28mm F3.5 prime lens and Vivitar “Series 1” 70–210mm f2.8–4.0 zoom lens. RAWs developed in Lightroom, then edited and finalised in Photoshop.
Portree, Isle of Skye, Scotland, Spring by Ian Cylkowski is licensed under CC BY-NC-SA 4.0
Upon our arrival at Portree, and parking up at the main car park, the views down Loch Portree towards the snowy Cuillins were already staggering. I quickly attached my longest lens and went snappy happy as the lighshow was constantly changing.
Our goal was to follow the coastal path below the left hill. But before we could get on that, this scene opened in front of me, putting me in mind of the fjords of Norway. I zoomed all the way to 210mm to get a real tight composition, involving the flanks of Ben Chracaig to the left, the crags of Ben Tianavaig to the right, and the hills of the Isle of Raasay in the middle.
On the trail, the sound of rushing water caught our attention. We quickly nipped off trail and followed the sound, locating this beautiful and totally unexpected waterfall! These unnamed falls belong to the River Chracaig as it tumbles down the hills above.
As we rounded the corner at Sgeir Mhòr, this magnificent view down the coastline to the illuminated cliffs of Sìthean a’ Bhealaich Chumhaing appeared.
We followed the trail further down the coastline until it abruptly turns inland near this area of flat land. The path then zigzags up the steep hillside of Ben Chracaig. Halfway up, lighting conditions changed and I quickly nabbed this dramatic shot.
Away from the cliffs and onto the moorland above Portree, this frankly ridiculous scene revealed itself to us. The Storr, lightly dusted in snow, with a thick and dramatic storm above, whilst the Portree moorlands and this house receive a strong burst of sunlight from behind us.
Back at Portree the light continued to change dramatically, with the clouds lifting above the Cuillins. I zoom in tight on this composition of Portree harbour as the light broke through the clouds enough to highlight the snowy Cuillins.
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Sleat Peninsula, Isle of Skye, Scotland, Spring
Skye’s Sleat peninsula often gets overlooked.
Skye’s Sleat peninsula often gets overlooked.
It’s understandable why. When the island contains wonders such as the Cuillins, the Quiraing, the Storr, the Fairy Pools and more, why would you go to the extreme south/south-west of the island?
In my experience, Sleat is where you take photos from, not of. While the peninsula does have some lovely coastline, arguably it’s finest aspect is the views you can get from its southern and northern shores.
Looking south across the Sound of Sleat one can enjoy immense views of the Knoydart mountains, such as Ladhar Bheinn, Meall Buidhe, and Luinne Bheinn.
Over the peninsula onto its northern shores, Sleat harbours beautiful beaches and craggy coastlines, punctuated by bonny little crofting settlements, such as Tarskavaig, Tokavaig, and Ord. These places get unparalleled views across Loch Eishort towards the entire Cuillins range.
My advice: Give yourself a day to explore Sleat. You won’t regret it.
All photos taken on my Sony α7ii using my Rokinon 14mm f2.8 ED AS IF UMC and Pentax SMC 28mm F3.5 prime lenses, and my Vivitar “Series 1” 70–210mm f2.8–4.0 zoom lens. RAWs developed in Lightroom then edited and finalised in Photoshop.
Sleat Peninsula, Isle of Skye, Scotland Spring by Ian Cylkowski is licensed under CC BY-NC-SA 4.0
Just north of Armadale there’s a stretch of coastline known as Bàgh a' Mhuilinn (“Bay of the Mill”). Here, one can play around with incredible rock formations and the Knoydart mountains in the distance.
The geology around Armadale is largely comprised of Lewisian Gneiss, which are some of the oldest rocks on Earth; roughly 3.0–1.7 billion years old! In the distance the main peak in the Knoydart is Ladhar Bheinn (“peak of the hoof”).
From near Armadale you can take the single-track winding road over the Sleat peninsula towards its northern shores. Along the way, though, magnificent views of the Cuillins reveal themselves. We stopped to nab some photos from above Loch Dhùghaill because who can say no to this?!
Arriving at Tarskavaig Bay, Lisabet and I quickly wandered off to explore and photography. I found this fascinating person-high crag on the beach, and clambered within its nooks and crannies looking for compositions. These are Lewisian Gneiss again, but have been squashed and stretched so much that they've become very fine-grained and have lots of cracks. They also have minerals like chlorite and epidote in them.
Away from the massive crag I head towards the more expansive beach, with fantastic clear views towards the Cuillins. I find another otherworldly rock formation and seek to compose along with the winding channels towards the Cuillins.
Moving on from Tarskavaig, we continue up the northern shore of Sleat to Tokavaig. At Tokavaig Bay, one can find the ruins of Dùn Scaich castle, formerly owned by Clan MacDonald of Sleat, a branch of the Clan Donald or MacDonald. With my long zoom lens, I can really compress the distant views, capturing the ruins of the castle as well as the mighty Blàbheinn mountain in the distance.
Dùn Scaich castle sits atop a crag on the Tokavaig coast, given near 360 views of its surroundings. It would’ve once been possible to enter the ruins across the arched footpath, but the floor of it has collapsed. The fortress is alternatively referred to as the "Fortress of Shadows." It is famously associated with the legend of the warrior woman Scáthach, who is said to have resided there, giving the castle its name.
Further long the coastline from the castle ruins are several sheer cliffs that offer unimpeded views across Loch Eishort to the entire Cuillins range. Here, my Lisabet stands perilously close to the edge of one cliff, providing a sense of scale.
The view you can enjoy from Tokavaig’s cliffs. The small trio of islands in the loch are called Eilean Ruairidh, translating as “Isle of the Red King”. There was once a fort here too. From this view, it’s clear to view the geological differences between the Black Cuillins, towards the left, and the Red Cuillins towards the right. The Red being smoother and made of granite, and the Black being more jagged and made of gabbro.
Further along the coastline we arrive at Ord, where one can take the minor road back over the Sleat peninsula to its southern shores. Before we did, we explored the bay here too. At Ord, you can find crags on the beach where old rocks meet some younger rocks called quartzites, and the younger rocks are found underneath the older ones, which is a bit unusual. The quartzites have some cool features, like cross-bedding (patterns in the rock) and folding (where the rock has been bent).
From Ord I once again equipped my 70-210mm zoom lens for some tighter compressed compositions. I lined up the small rocky islands just off the bay to lead towards the Strathaird coastline and Blàbheinn looming above everything.
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Sligachan, Isle of Skye, Scotland, Spring
I have returned from my fifth visit to Skye.
I have returned from my fifth visit to Skye.
God damn I love that island so much.
What definitely helps, apart from the fantastic scenery, is that for entire week of our stay the weather and light conditions were fantastic.
All in all, I returned to Cumbria with 200+ RAW files of epicness. Where does one start?
For me, with one of my favourite places on Skye: Sligachan.
Sligachan is a small settlement on Skye’s eastern coast, somewhat halfway between two of Skye’s major population centres: Portree and Broadford. There’s not much at Sligachan apart from a hotel and a couple of houses. What it does offer is some of the finest views of the Black Cuillins and Red Cuillins on Skye.
In particular, there are a number of small rivers that run from the Cuillins towards Loch Sligachan, and the underlying geology has enabled some fantastic waterfalls. You’ve just gotta be prepared for some boggy hiking.
I’ve played around these waterfalls many a time, always seeking the “one” winning photo from this area. On this occasion, I’ve come closer than ever before of capturing that special photo from this magical place.
All photos taken on my Sony α7ii using my Pentax SMC 28mm F3.5 and Rokinon 14mm f2.8 ED AS IF UMC prime lenses. RAW files developed in Lightroom, edited and finalised in Photoshop.
Sligachan, Isle of Skye, Scotland, Spring by Ian Cylkowski is licensed under CC BY-NC-SA 4.0
On our first full day on Skye, we first enjoyed the Scorrybreac circular around Portree. Afterwards, we nipped south to visit Sligachan. Whilst Portree was relatively sunny, conditions at Sligachan were significantly different. Stormy skies and powerful freezing winds made for some awe-inspiring conditions. On this occasion this was the best image I could make on this brief visit, the Red Cuillins topped in snow with storm clouds brewing above.
Returning to Sligachan on another day presented a completely different story, with strong sun bursting through the passing, racing clouds. Our first port of call was getting under the Old Sligachan Bridge for a composition of the Black Cuillins.
Afterwards, we began the hike up alongside one of Sligachan’s many rivers, this one being the Allt Dearg Mòr (“Great Red River”). Numerous waterfalls can be found along the river, this one being one of the bigger ones. My ultra-wide 14mm lens was able to capture not only the entirety of the falls and the snow-capped Black Cuillins, but some of the Red Cuillins too.
Beyond the large waterfall, a wide series of falls presented a beautiful composition involving the Black Cuillins as the clouds sank over the mountains.
Getting closer to the falls as I dared, I faced directly towards the sun and attempted a composition of the falls with one of the Red Cuillins, Marsco (736 m/2,415 ft).
A 3-shot 28mm panorama stack from top to bottom enabled this composition of another waterfall with the snowy Black Cuillins darkening above.
Looking back down the river towards the Red Cuillins saw clearer skies. On the left, the wizard’s hat of a mountain is Glamaig (775 m/2,543 ft), catching the light on its smooth flanks. The other Red Cuillin in the distance is Beinn Dearg Mhòr (731 m/2,398 ft)
Back at the Old Bridge, a classic composition involving the bridge and Glamaig proved impossible to resist. In the late 1800s a Gurkha named Harkabir Tharpa scaled Glamaig, starting and finishing at sea level in the bar of the Sligachan Hotel, in 55 minutes. That’s nuts, especially considering most routes up the mountain involved a steep climb on loose scree.