Force Falls & Levens Hall Deer Park, Cumbria, Summer
A gorgeous evening on the horizon. What to do? Where to go?
A gorgeous evening on the horizon. What to do? Where to go?
Lisabet often has brilliant ideas and this no exception: park up alongside Force Falls and follow the path all the way into and around Levens Hall Deer Park and back.
Crackin’ idea.
The last time we wandered around the park was back in January this year, or month or so after Storm Arwen wreaked havoc across the UK. Now, in summer, the trees are regenerating and the land is beginning to recover.
Also, it was nice to see all the black fallow deer (Dama dama) and Bagot goats enjoying the warm summer evening light.
Photos taken on my Fujifilm X-T2 using my Vivitar “Series 1” 28–105mm f2.8–f3.8 lens. RAW files converted with Capture One for iPad, developed in RNI Films, and finished in Affinity Photo for iPad.
Force Falls & Levens Hall Deer Park, Cumbria, Summer by Ian Cylkowski is licensed under CC BY-NC-SA 4.0
Did you like these photos?
Levens Hall Deer Park, Cumbria, Winter
I hope you like trees.
I hope you like trees.
With other duties and tasks that needed to be completed today, we decided on a lovely 10,000-step walk around the Levens Hall Deer Park. The park was landscaped some 300-odd years ago, around the same time as the gardens of the historic Levens Hall. As such, many of the trees in the park are centuries old and, unfortunately, some of them have suffered after Storm Arwen’s 100mph winds.
Levens Hall Deer Park is home to Black Fallow Deer and a herd of rare-breed Bagot goats. Whilst we didn’t see any of the distinctive goats, we did manage to spot some of the deer, happily chilling and grazing in the grounds.
With the trees devoid of leaves, there were opportunities to focus more on the shape and texture of each tree instead. With the sun out, we got some delicious golden side lighting, which I happily took advantage of with some more unusual close-up compositions.
All photos shot on my Fujifilm X-T2 using my three prime lenses: a Fujinon 23mm f/2.0, a Laowa 9mm f/2.8, and an adapted Pentax SMC 55mm f/2.0. Images made 95% in-camera using Øyvind Nordhagen’s Modern Negative Fujifilm recipe, finished in Pixelmator and Darkroom.