Ynys Llanddwyn, Anglesey, North Wales, Spring
Newborough beach and Ynys Llanddwyn is a magical place.
Newborough beach and Ynys Llanddwyn is a magical place.
Located at the southern corner of Anglesey island (Ynys Môn), Newborough comprises of 2,000 acres of Corsican pine woodland, planted between 1947 and 1965 to stabilise the shifting sand dunes of Newborough Warren. Emerging from the forest, you enter the expansive sands of Newborough beach with crystal clear views across the Menai Strait to the Snowdonia/Yr Eryri mountains.
At low tide you can access a small rocky island off the beach, known as Ynys Llanddwyn. The island has historical attachments to St. Dwynwen, the Welsh patron saint of lovers. Ynys Llanddwyn translates to “The island of the church of St. Dwynwen”. It contains the ruins of St Dwynwen’s church, a giant cross on the island’s summit, and the iconic Tŵr Mawr lighthouse.
We couldn’t have picked a more beautiful evening to revisit this ethereal place.
All photos taken on my Sony a7ii using my Vivitar “Series 1” 28–105mm f2.8–3.8 zoom and Rokinon 14mm f2.8 prime lenses. RAWs developed in Lightroom for iPad, edited and finalised in Affinity Photo 2 for iPad.
With the tide out, the already expansive beach at Newborough seemed even bigger. Long channels of pools provided nice compositions involving the mountains of Yr Eryri.
Looking back east along the beach, the sun beautifully lights up the dunes of Newborough Warren, whilst dramatic clouds break up above the mountains of Yr Eryri.
We enjoyed a gentle meander along the beach, slowly but surely heading our way towards Ynys Llanddwyn. Up on the crags, you can see where the tide would separate the island from the beach.
Ynys Llanddwyn is chock-full of rare flora, so it’s generally advised to keep to the dedicated paths, which I made a composition of. In the distance you can just make out the island’s cross and Tŵr Mawr lighthouse.
There are two crosses on Ynys Llanddwyn, this is the Celtic one. Strong side light elevates the scene and highlights some of the Yr Eryri mountains that are crowned with clouds.
A magical moment. Evening golden side light drenches the island and its lighthouse, Tŵr Mawr. In the distance, the Yr Eryri mountains are capped with their own little clouds. A moment I’ll never forget.
Near the smaller tower on the southeastern tip of Ynys Llanddwyn, some volcanic rock formations provide a lovely composition against the endless waters of Caernarfon Bay.
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Berwick-upon-Tweed, Northumberland, Summer
Here’s the final collection of work from our week-long summer jaunt around Northumberland.
Here’s the final collection of work from our week-long summer jaunt around Northumberland.
Berwick-upon-Tweed is a town steeped in history and filled with curiosities. It’s England’s northernmost town, right in the northeastern corner of the country. In fact, it’s slightly further north than Copenhagen in Denmark as well as the southern tip of Sweden.
Berwick’s name comes from the Old English berewíc, meaning “corn/barley farm”, which I guess gives you an idea of the town’s origins. During a period of about 400 years, Berwick changed hands between England and Scotland a dozen times or so. Richard of Gloucester retook Berwick for England for the last time in 1482. More than 200 years later, the Kingdom of Scotland joined the Kingdom of England in 1707, forming the Kingdom of Great Britain, and ending the border quarrelling between the nations.
A persistent legend exists about the town “technically” being at war with Russia. The myth goes that because Berwick had changed hands several times, it was regarded as a special, separate entity, sometimes referred to in proclamations as "England, Scotland and the town of Berwick-upon-Tweed".
For the declaration of the Crimean War against Russia in 1853, Queen Victoria supposedly signed the proclamation as "Victoria, Queen of Great Britain, Ireland, Berwick-upon-Tweed and all British Dominions". When the Treaty of Paris was signed to conclude the war, "Berwick-upon-Tweed" was left out. This meant that, supposedly, one of Britain's smallest towns was officially at war with one of the world's largest powers – and the conflict extended by the lack of a peace treaty for over a century.
In reality, Berwick-upon-Tweed was not mentioned in either the declaration of war or the final peace treaty, and Berwick-upon-Tweed was legally part of the United Kingdom for both.
Regardless, the town is fascinating and you can feel the dual-nationality personality of the place. During our wandering, a sea fret obscured most of the coastline, lending a misty foggy atmosphere to our photography.
All photos shot on my Fujifilm X-T2 using my three prime lenses: a Samyang 35mm f/1.2, a Laowa 9mm f/2.8, and an adapted Pentax SMC 55mm f/2.0. Developed using RNI Film’s Astia 100f profile.
Bamburgh, Budle & Cheswick Sands, Northumberland, Summer
Despite being in peak summer, it wasn’t all glorious sunshine during our week in Northumberland.
Despite being in peak summer, it wasn’t all glorious sunshine during our week in Northumberland.
On this particular day I poured over the various weather apps and services I check to ascertain temperatures, chances of rain, atmospheric conditions and more. From what I could see, if we stayed near the coast of Northumberland around Bamburgh we could probably avoid a lot of storms that were moving southwards.
After a beautiful morning of sunshine wandering around the beaches of Bamburgh and Budle, another glance at the weather services indicated a storm moving in over the area. This was also self-evident as the clouds above the beach and castle of Bamburgh were getting dark and foreboding. Lisabet and I nipped into a pub for lunch and decided on another beach further north that we hadn’t explored before: Cheswick Sands.
Thankfully, this was the correct decision. Not only did the rain fall as soon as we arrived at the pub (thank you, Lord Crewe Hotel), but the conditions at Cheswick Sands were blessedly dry. More than that, Cheswick Sands is beautiful. The area features extensive dunes, soft beaches, and fantastical sandstone formations to play around with photographically.
I made perhaps some of the finest seascape compositions I’ve ever done.
All photos shot on my Fujifilm X-T2 using my three prime lenses: a Samyang 35mm f/1.2, a Laowa 9mm f/2.8, and an adapted Pentax SMC 55mm f/2.0. All images were made 80% in-camera using a customised Velvia film simulation, with minor edits and corrections after in Lightroom and Affinity Photo.
Retro Reworking: Mull of Galloway, Scotland, Winter 2018
Welcome to Retro Reworking, otherwise known as “the country’s on lockdown due to a global pandemic so I have a lot more time on my hands also I’m better at editing nowadays”.
Welcome to Retro Reworking, otherwise known as “the country’s on lockdown due to a global pandemic so I have a lot more time on my hands also I’m better at editing nowadays”.
Back in the tail end of winter 2018 Lisabet and I took a short break to the Rhins of Galloway. This is a long north-south peninsula that ends in the south at the Mull of Galloway, the southernmost tip of Scotland. We’d never been here before; our closest venture would’ve been Galloway Forest Park, 30-odd miles east inland.
Despite hiking in winter we were treated to clear blue skies and endless views. We spent most of our time scanning the western coast of the peninsula, ducking in and out of various bays, and hiking along the tops of cliffs. The Mull of Galloway, in particular, provided epic views from its cliffs.
All photographs shot with my camera at the time, which was a Sigma dp0 Quattro with a built-in 14mm f/4.0 lens. ND grads and polarisers were used in-field to balance exposures. Editing and colour grading done manually myself.
The Island of Colourful Rocks
Ynys Llanddwyn, the spit of craggy land off Newborough beach in Anglesey, is a botanist’s dream. Not only is the island covered in all sorts of wild flowers, but the exposed crags are drenched in a variety of lichen and moss that create these wonderful tapestries of colour.
Lisabet and I clambered down from the main headland of the island to get a closer look at some of the fascinating colours and plant life on these crags. I shot this composition of one particular crag, looking towards Tŵr Mawr lighthouse and the ruins St Dwynwen’s Church.
Camera: Sigma dp0 Quattro
Lens: built-in 14mm f/4.0
ISO: 100
Aperture: f/16
Shutter speed: 1⁄100s
Software: Sigma Photo Pro, Nik Collection, Affinity Photo