Lowther Estate, Cumbria, Autumn
Autumn’s definitely here. You know what’s also here? The Great British Changeable Weather.
Autumn’s definitely here. You know what’s also here? The Great British Changeable Weather.
I took an educated guess at the weather today and decided our best bet for good light and conditions would be East Lake District/Cumbria during mid-morning/early afternoon. So! We ventured to the Lowther Castle and its Estate, for a healthy jaunt from the castle grounds to Askham Fell and back round.
Driving to Lowther was… interesting. It involves taking the A6 up and over Shap Fell, whereupon we were greeted with a thickness of fog that a Live Music Stage FX Producer would be proud of. Once we arrived at Lowther, the cloud base was starting to lift and the sun made various attempts to breakthrough.
Thankfully, as we hiked up Askham Fell, and back down through Helton, the cloud cover truly lifted and we enjoyed glorious autumnal scenes.
All photos taken on my Fujifilm X-T2 using my Samyang 35mm f/1.2 lens. If you’re wondering why the right hand side of my photos appears constantly out of focus, it’s because I think there’s a broken element in my lens. Damn.
Images developed using RNI Films’ Kodachrome film profile.
Walla Crag, Lake District, Autumn
Autumn has arrived.
Autumn has arrived.
The “life” from all the verdant vegetation is starting to wane, the ferns are turning rust-hued, and the leaves are beginning to drop. Autumn’s here, and I cannot wait for those autumnal colours.
Whilst we wait, we decided today on a venture up a relatively small fell that we’ve never tried before: Walla Crag (379 m/1,243 ft).
At “only” 379 m tall it’s definitely one of the smaller fells, especially when compared to some of the giants in the area such as Skiddaw (931 m/3,054 ft) and Blencathra (868 m/2,848 ft). Nevertheless, what it lacks in height it makes up for in the jaw-dropping views it offers from its summit.
All photos shot on my Fujifilm X-T2 using my three prime lenses: a Samyang 35mm f/1.2, a Laowa 9mm f/2.8, and an adapted Pentax SMC 55mm f/2.0. Developed using RNI Films’ Kodak Ektar 100 profile.
Howgills, Yorkshire Dales, Summer
It was time to come back to the Howgills.
It was time to come back to the Howgills.
Back in April this year, 2021, Lisabet and I made our first hike up onto the Howgills, summiting Winder (473 m/1,552 ft), the fell that directly overlooks the beautiful Yorkshire Dales town of Sedbergh. It wasn’t hard, during that hike, to gawp at the next fell along the ridge from Winder, namely Arant Haw at 605 m. We vowed to return and tackle Arant Haw.
Today was that day.
The forecast was for clear skies and pushing 20°C, but when we arrived at Sedbergh for around 9am it was relatively chilly and cloudy. As we began our ascent up the Dales High Way up into the Howgills—and the views opened up—it became apparent that the cloud base still hadn’t quite cleared the fell tops. This resulted in amazing light and weather conditions, significantly slowing down our hiking progress (but all for good reason).
After a proper good pull, we managed to summit Arant Haw as well as add on the smaller fell of Crook on the way back down.
What a crackin’ day.
All photos shot on my Fujifilm X-T2 using two of my prime lenses: a Samyang 35mm f/1.2 and a Laowa 9mm f/2.8. Developed with RNI Films’ Kodak Portra 160 profile.
North Pennines Waterfalls, County Durham, Summer
Woohoo for a week off! With the Lake District as rammed as it is at the moment, let’s go somewhere a l’al bit different.
Woohoo for a week off! With the Lake District as rammed as it is at the moment, let’s go somewhere and l’al bit different.
The North Pennines AONB (Area of Outstanding Natural Beauty) is a favourite of ours but remains relatively untouched by us. We’ve explored arguably the jewel of the North Pennines, High Cup Nick, many times. But another absolutely stunning part of the area is the three main waterfalls: High Force, Low Force, and Cauldron Snout.
Long-time followers of this blog may remember our last excursion to High Force and Low Force, last year. The two waterfalls are a geology student’s dream and truly spectacular. But the third waterfall, Cauldron Snout, is often missed out on compared to the other two. That’s because it’s many miles further up the River Tees, near Cow Green Reservoir. Like High Force and Low Force, Cauldron Snout is the result of the outflow of Cow Green Reservoir passing over the whin sill; a layer of prehistoric super-hard dolerite volcanic rock that has left pillars and columns. The waterfall has eroded the softer rock around, leaving the harder columns of whin sill standing.
Cauldron Snout “only” drops about 60 m, all in all, but does so steeply down 180 m of the gorge, making it one of the longest waterfalls in England. The last time we visited it was many years ago in between Christmas and New Year, and a lot of the rock around the waterfall was covered in ice, making it a treacherous task to navigate. This time, we managed to scramble all the down alongside the waterfall. It was immense.
All photos shot on my Fujifilm X-T2 using my three prime lenses: a Samyang 35mm f/1.2, a Laowa 9mm f/2.8, and an adapted Pentax SMC 55mm f/2.0. Images developed using one of RNI Film’s Kodachrome profiles, finished in Affinity Photo.
Colwith Force, Summer, Lake District
After two successive weekends of rain, it was time to seek a waterfall or two.
After two successive weekends of rain, it was time to seek a waterfall or two.
Getting outside for some solid hiking has been difficult given the changeable conditions we’ve experienced in August. Thankfully, the week ahead is looking promising, which is fortuitous because I have a week off.
Lisabet and I got up and out early to avoid the crowds, taking on a good 10,000 steps to visit both Skelwith Force and Colwith Force. Both waterfalls are not large but after prolonged rainfall they are powerful.
All photos shot on my Fujifilm X-T2 using two of my prime lenses: a Samyang 35mm f/1.2, and a Laowa 9mm f/2.8. Developed using RNI Films’ Kodak E100G film profile.
Hodge Close Quarry, Lake District, Summer
Time for something a little different.
Time for something a little bit different.
The Lake District is obviously world famous for its natural splendour; the lakes, fells, tarn, waterfalls, and everything in between. But beneath the surface of this picture of paradise lies thousands of years of man-made work.
Mining has been a feature in the Lake District landscape for hundreds of years. Copper, graphite, lead, slate… you name it, it’s probably been found and mined for. One of the bigger historical industries in Lakeland was slate mining; I say “historical”, slate mining still occurs at Honister Pass, inside Fleetwith Pike.
Slate was mined extensively in and around the Coniston area, too, particularly in the 19th century when Lake District slate was in demand for “roofing Britain”. Three miles north of beautiful Coniston, one can find one of the biggest leftover workings of slate mining in the whole of the Lake District: Hodge Close Quarry.
Lisabet and I have been meaning to find and explore Hodge Close Quarry for quite some time now. Lisabet’s been before, but many moons ago. I, on the other hand, have only ever had Google Images and Pinterest to go on. We parked up in lay-by just north of Yew Tree Tarn and follow the easy trail northwest, clearly signposted for Hodge Close Quarry. Along the way, one can enjoy frankly spectacular views of the Langdale Pikes and Central Fells of the Lake District. This was an aspect of the hike I had no idea of!
Arriving at Hodge Close Quarry, and taking careful note of all the warning signs, we were greeted by a cavernous scar in the earth; sheer walls dropping 150 ft into a dark pool, itself a depth of around 150 ft. What a wonder; and what work man has performed!
We spent a good couple of hours around the quarry, shooting compositions in the gorgeous evening light. And there was no hardship in retracing our steps back to the car, as the light just better and better.
One of the most beautiful evening walks in the Lake District I’ve had for a while.
All photos shot on my Fujifilm X-T2 using my three prime lenses: a Samyang 35mm f/1.2, a Laowa 9mm f/2.8, and an adapted Pentax SMC 55mm f/2.0. Images made 75% in-camera, with RNI Film’s Kodachrome film profile applied afterwards.