Lawson Park, Coniston, Lake District, Autumn
We had opportunity this weekend to visit somewhere a little different.
We had opportunity this weekend to visit somewhere a little different.
As we move from Summer to Autumn—with the increase in stormy downpours apparent—the quality of light improves drastically. But before the legendary Lake District autumnal colours arrive, we’re in peak fruit and berry harvesting season. What better way to observe and learn about growing fruit and vegetables than a tour of Lawson Park above Coniston Water?
A small dwelling has been sited on Lawson Park since the 14th century, when the Cistercian order of monks at Furness Abbey emparked the land here and leased out their building to charcoal burners for use in iron smelting.
The ownership of the building and land has changed hands multiple times over the centuries. By the late 1800s and early 1900s, a succession of tenant farmers lived in the farmhouse, kept livestock and worked the hard uneven land around Lawson Park. The last tenant farmer here vacated the property in the 1950s. England’s Forestry Commission bought the property and house in 1947. Liverpool Community College leased the house from the 1970s for use as outdoor and agricultural educational visits.
By 2000, Grizedale Arts director Adam Sutherland leased the farmhouse with his partner Karen Guthrie. At that time the place was little more than a spartan stone house filled with bunk beds including no central heating. They began the process of renovating the farmhouse and creating the gardens that now lushly surround the area, including the help of Japanese rice farmers in 2007.
It’s a fascinating story and I felt very honoured to have the opportunity to photograph it.
Photos taken on my Fujifilm X-T2 using my Vivitar “Series 1” 28–105mm f2.8–3.8 zoom and Laowa 9mm f2.8 prime lens. RAWs converted with Capture One for iPad, developed in RNI Films, and finished in Affinity Photo for iPad.
Lawson Park, Coniston, Lake District, Autumn by Ian Cylkowski is licensed under CC BY-NC-SA 4.0
Karen Guthrie, Residential Warden of Lawson Park. It’s her learnings and vision that have shaped the gardens and land around Lawson Park into the thriving, sustainable, and environmentally-friendly place it is now.
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Crina Bottom, Yorkshire Dales, Winter
Temperatures are still down but conditions are rather contentious at the moment.
Temperatures are still down but conditions are rather contentious at the moment.
That didn’t stop us from throwing caution to the bitterly cold wind! After examining my 90 million weather apps plus satellite radars, it looked to me that the further east we went, the better our chances for drier conditions.
To the Yorkshire Dales!
We settled on a hike up to Crina Bottom from Ingleton. We did plan on an additional hike from Horton-in-Ribblesdale to Hull Pot, but we unfortunately ran out of time. Nevertheless, Crina Bottom is lovely. It’s famed for its wonderful view of Ingleborough right above the farmstead (a shot of which you can see here). Unfortunately for us on this day, the cloud base level wasn’t due to lift anywhere above 500–600m, and Ingleborough is 726 m high.
Nevertheless, the low winter light was beautiful, casting isolated golden light across the landscape, drawing long shadows, and the low cloud level made for more minimalist landscape compositions.
All photos shot on my Fujifilm X-T2 using my Fujinon 23mm f/2.0 prime lens. Images were made 95% in-camera, with a final curve adjustment in Pixelmator Photo and framing in Darkroom.
Deepdale, Lake District, Autumn
Grisdale keeps evading us.
Grisedale keeps evading us.
After meticulously scanning the weather forecasts and satellite radars, Dad and I embarked initially on a lovely hike up one of my favourite valleys: Grisedale.
Last time rain fended us off. This time, a running/trials event blocked all the car parks in Patterdale and Glenridding. No matter, that’s why you should have a back up plan! Instead, we drove back towards Brothers Water and pulled up in a little-used layby. This was the start of the hike into Deepdale.
Although no less splendorous compared to Grisedale—featuring as it does the magnificent fell of Greenhow End at its head—it’s certainly not as good to walk. Large patches of Deepdale are often submerged in water and super boggy to boot. This means lots of bog-hopping.
Nevertheless, a crisp yet blowy autumnal day greeted us and Dad and I were treated to delicious light and wonderful colours.
All photos taken on my Fujifilm X-T2 using my three prime lenses: a Fujinon 23mm f/2.0, a Laowa 9mm f/2.8, and an adapted Pentax SMC 55mm f/2.0. Developed in Lightroom using my own Classic Chrome-based preset, finished in Affinity Photo.
Pandemic Peregrinations: Helsfell Nab, Kendal, Cumbria, Winter
The Pandemic Peregrinations are back.
The Pandemic Peregrinations are back.
On the 4th of January 2021 the UK entered its 3rd National Lockdown due to rising COVID-19 cases and a new—more infectious—variant ravaging its way through the nation.
The British public are being urged to stay home at all times, save for one lot of exercise a day and essential shopping. I’m back working remotely from home again, and we’re only heading out to get some manner of exercise in, plus occasionally shopping for food.
Winter has well and truly arrived.
We decided to combine both an essential food shop with our day’s exercise today, so we hiked up Kendal Fell via Helsfell Nab, aiming towards the wonderful Plumgarths Farm Shop.
Despite the lockdown plenty of people were enjoying sledging in the somewhat slushy and frozen snow slopes of Kendal Fell. We carefully dodged the kids and adults alike whizzing passed us in their sleds, and continued on an occasionally perilously slippy walk to Plumgarths and back.
Lots of sheep about, too.
In other news—as of Saturday 9th January 2021—3,017,409 people in the UK tested positive with the virus, with 82,624 recorded deaths.
Stay safe and warm, everyone.
All photos shot with a Fujifilm X-T2 using my Samyang 35mm f/1.2 lens. Developed using RNI’s Kodachrome film profile.
Deepdale, Lake District, Winter
Winter has arrived.
Winter has arrived.
We’ve been watching as temperatures in Cumbria have steadily dropped from the tens to near freezing point.
By around the 3rd December snow started to fall across the high fells of the Lake District and the Yorkshire Dales, followed by some ground level snow on the 4th.
Lisabet and I ventured straight into the Lakes on the Saturday to see if we could get some snowy mountain action whilst the snow was still around.
A lot of it had melted in the dale bottoms, resulting in some delightful cascades and waterfalls, but we were happy to see a fair bit of snow still clinging to the higher peaks of the Lake District.
We hiked into Deepdale, a small tributary valley off Patterdale, just north of Kirkstone Pass. The nice thing about Deepdale is you’ll rarely find a lot of people there. The not-so-nice thing is that the hiking can be laborious, as there’s not much of a path through the valley and there’s a fair bit of bog to navigate.
But what awaits you at the head of Deepdale is the magnificent hulking form of Greenhow End, a beautiful fell.
All photos taken on my Fujifilm X-T2 using both my Samyang 35mm f/1.2 and Laowa 9mm f/2.8 lenses. Photos shot using a customised Pro Negative Standard film profile.
Part 2: Lancaster Canal’s “Northern Reaches”, Cumbria, Spring
The final stretch of Lancaster Canal.
The final stretch of Lancaster Canal.
In case you haven’t seen it you should check out my first photo blog about the Lancaster Canal, which contains the history of this iconic and important canal system.
The following day Lisabet and I decided to revisit the canal’s “Northern Reaches”, this time heading north from Millness Bridge (Nº 164) in Crooklands instead of south. This stretch is the final waterway of Lancaster Canal, which ends at Stainton somewhat abruptly. There are ambitions to re-water the canal for a quarter of a mile north of Stainton towards Kendal, and work has begun on repairing and upgrading Stainton Aqueduct after Storm Desmond wreaked havoc in December 2015.
All photos shot on a Fujifilm X-T2 with a 16–50mm f/3.5–5.6 lens using a customised Classic Chrome film simulation.