Morecambe & Heysham, Lancashire, Summer
After a thunderstorm, you need to get those vast and expansive views.
After a thunderstorm, you need to get those vast and expansive views.
On the Saturday, the Met Office issued a Yellow Warning of thunderstorms and torrential downpours. This was very much needed as temperatures were starting to creep up to the mid 20’s again with 90%+ humidity.
If there’s one thing a thunderstorm is really good at it’s clearing the atmosphere. So, on the Sunday, we decided that solid hike along the Morecambe Bay coast, from Morecambe to Heysham and back, was needed. The views across the bay to Cumbria and the Lake District fells are always welcome. Plus, we knew we would have limited time before the next load of thunderstorms arrived.
I decided to equip relatively minimally; just my camera, Sony 28–70 and Vivitar “Series 1” 70–210mm for those super tight and zoomed in compositions.
The views, and the weather, were glorious.
All photos taken on my Sony α7ii using my Sony FE 28–70mm f3.5–5.6 OSS and Vivitar “Series 1” 70–210mm f2.8–4.0 zoom lenses. RAWs developed in Lightroom for iPad using RNI Films’ Portra 160 film emulation, then a little bit of finalisation in Affinity Photo 2 for iPad.
Morecambe & Heysham, Lancashire, Summer by Ian Cylkowski is licensed under CC BY-NC-SA 4.0
Want sweeping and expansive views for mountains in the distance? Morecambe Bay is where you need to be. Anywhere with access to the Bay will do, but for this walk we chose the town of Morecambe itself.
This is the 14 m tall Hook Beacon, signalling the location of West End Gardens at Morecambe Bay. It was conceived by Broadbent Studio in collaboration with local school pupils.
A man and his dog, watching the world go by.
We started the walk 1-hour after low tide, so the sea was still miles out. Families and couples alike were enjoying the sensation of wet sand on their feet and sea air in their faces.
I decided to equip my 70–210mm lens for some super-zoomed in compositions across the bay to Cumbria.
A lovely mural that I can never resist taking a shot of.
Nice and clear, the Coniston Fells in the Lake District, 25 miles away.
One of numerous breakwaters along Morecambe. This is Grosevenor Breakwater, with Black Combe (600 m/1,970 ft) rising in the distance.
It’s always nice to see people soaking in the vibes of the day and taking in the immense views that Morecambe has to offer.
South beyond the town of Morecambe, ancient Heysham comes into view, resting on a small hill above the Bay.
St. Peter’s church. Christian worship has been regularly practised at the site for over 1,000 years.
The graveyard behind the church enjoys spectacular views across the Bay.
Trees in the graveyard remind us of the passing of time beyond our own horizons.
The ruins of St. Peter’s chapel, dating from around the 8th or 9th century. It gives me vibes of a portal to another world.
A group of six stone-hewn tombs dating from around the 11th century. Each tomb has an associated “socket”, which was probably where a wooden cross would be inserted.
At Half Moon Bay, just before Heysham Nuclear Power Station, one can find the marvellous SHIP sculpture by Anna Gillespie.
The ship's hull is mounted with two opposing figures at each end. One faces "new" Heysham, the Nuclear Power Station, and the other faces "old" Heysham, the ancient monument of St Patrick's Chapel.
The sculpture "celebrates Morecambe Bay's landscape and maritime heritage, and reflects the importance of seaborne trade in bringing news, innovation and shaping the character of the area."
Heading back to Morecambe, I couldn’t resist nabbing the colour contrast of pink and green courtesy of these flowers.
The way back to Morecambe, with plenty of other peeps enjoying the day out in the glorious sunshine.
This gentleman was raising people’s spirits with tunes from his pocket trumpet. He was also kind enough to pose for a photo or two and give us a rendition of “Bring Me Sunshine”, an appropriate tune for the town of Morecambe.
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Arnside, Cumbria, Summer
I hope everyone had a lovely Summer Solstice.
I hope everyone had a lovely Summer Solstice.
When it comes to nature and the Summer Solstice, Lisabet and I are fortunate to have a variety of options on our doorstep. With a clear and cloudless evening ahead we decided on the expansive views offered at Arnside.
Arnside is a proper bonny seaside village located on the banks of the Kent Estuary, which eventually spills out into Morecambe Bay. Arnside features a ½ km long viaduct that carries trains across the estuary, and Arnside Tower; a peel tower, built in the 14th/15th century. Another curiosity is the Arnside Bore, a very fast rising tidal bore that occurs most high tides. People often watch the bore from the shoreline, marvelling at the faster-than-walking speed of the tide as Morecambe Bay refills the Kent Estuary every high tide.
For our evening, we just took a gentle meandering stroll along the shoreline of Arnside, enjoying the light and scenes as the sun set on the longest day of the year.
All photos taken on my Sony α7ii using my Sony FE 28–70mm f3.5–5.6 OSS zoom and Rokinon 14mm f2.8 ED AS IF UMC prime lenses. RAWs were developed in Lightroom, processed in Photomatix, and finalised in Photoshop.
Arnside, Cumbria, Summer by Ian Cylkowski is licensed under CC BY-NC-SA 4.0
The gentle curves of the Arnside shoreline catches the golden sunset light, serving as a leading line towards the Arnside Viaduct and the distant Lake District fells beyond.
Probably my favourite shot of the evening. A small channel in the sand provides a nice leading line towards the sunset as onlookers from the pier enjoying the solstice.
Beached buoys provide a nice foreground subject as the sun gently sinks behind the fells.
A tighter composition focusing on this tidal channel as it reflects the fiery sunset light.
Back on the road, I equip my ultra-wide for this composition in the dying light of the day.
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Morecambe & Heysham, Lancashire, Summer
And now for something a little different.
And now for something a little different.
Morecambe’s a good place to visit, especially if you like long walks beside the seaside. It enjoys vast panoramic views across the bay towards Silverdale and Arnside, the Furness Peninsula, and the Lake District fells beyond. You can’t help but take photos of the views before you.
Just a wee bit south down the coast from Morecambe is a small coastal town with a lot of history: Heysham.
Today we did a walk between the two.
Heysham is an ancient place. The main focus of historical human inhabitants is Chapel Hill, a small headland above the bay and Heysham itself. It’s suspected that there’s been human activity here for 12,000 years. Heysham is also only one of three sites in Britain and Ireland that contains pre-Roman labyrinth carving.
On Chapel Hill one can find the ruins of St. Patrick’s Chapel, probably constructed in the 6th of 7th century CE. Next to the chapel is a group of six stone-hewn graves, made around the 11th century. The grounds of St. Peter’s church contains lots of Saxon and Viking artefacts, including a Viking hogback stone that’s on display in the church, making the stone around 1,000–1,200 years old.
It’s an ancient place, and you can feel it around you when you’re on Chapel Hill.
All photos taken on my Fujifilm X-T2 using my Vivitar “Series 1” 28–105mm f/2.8–3.8 and Laowa 9mm f/2.8 lenses. Converted in Capture One for iPad, developed in RNI Films, and finished in Affinity Photo.
Morecambe & Heysham, Lancashire, Summer by Ian Cylkowski is licensed under CC BY-NC-SA 4.0
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Scout Scar, Lake District, Spring
2022 has been fuckin’ wild so far.
2022 has been fuckin’ wild so far.
But finally, things are a bit happier. Family members that had been in hospital for separate issues are now home and recuperating.
It’s been stressful, and there have been somber conversations.
Let’s hope the 2nd half of 2022 improves.
We’ve got my Better Half’s sister staying with us for a while. She, too, is a photographer, and considerably more established and talented than me. Today, the sun rose and a glorious spring/summer’s day was upon us. We all, keenly, felt the need to be out in nature. What better way than to explore our own back garden as it were? Up to Scout Scar we go!
All photos taken on my Fujifilm X-T2 using my three prime lenses and a new lens (more on that further in the post): a Fujinon 23mm f/2.0, a Laowa 9mm f/2.8, and an adapted Pentax SMC 55mm f/2.0. Developed in Lightroom, finished in Affinity Photo.
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Scout Scar, New Year’s Day, Lake District, Winter
Happy New Year everyone! Here’s to a joyous and—hopefully—more globally positive 2022.
Happy New Year everyone! Here’s to a joyous and—hopefully—more globally positive 2022.
The weather has been… weird. In fact, the UK set a new temperature record for New Year’s Eve, reaching as high as 16.5ºC. That is uncharacteristically warm. Temperatures maintained their elevated levels on New Year’s Day, too, but high winds also arrived. After a decent lie in, Lisabet and I decided on a local favourite to enjoy the first day of the new year: Scout Scar.
The last time we went up Scout Scar was almost exactly a month ago, and conditions could not have been more different. For New Year’s Day we took the time-honoured route up Captain French Lane and onto Brigsteer Road, following that all the way to the back of Scout Scar. Then, it’s a simple exercise of following the trail up the gentle slope of Scout Scar all the way until you reach it’s precipitous drop down to the Lyth Valley.
The wind was roaring all around us and views were obscured by haze and low cloud covering the Lake District fells. However, the sun was trying its hardest to burst out in between the rushing clouds. There were other sounds that were less familiar as we approached the summit… more rhythmical, and human. Turns out that Drum Nation Kendal had arrived at the summit for a joyous New Year’s Day drum performance on the fell.
Unexpected? Absolutely. But very awesome.
All photos taken on my Fujifilm X-T2 using two of my prime lenses: a Fujinon 23mm f/2.0 and an adapted Pentax SMC 55mm f/2.0. All images made in-camera using a customised Classic Chrome recipe, with finalisations made in Apple Photos, Pixelmator, and Darkroom.
Morecambe, Lancashire, Winter
We felt the coast calling us.
We felt the coast calling us.
After an epic hike around Malhamdale in the Yorkshire Dales, followed by a beautiful walk along the Keswick–Threlkeld Railway trail, it was time for something a little more… pedestrian.
The coastline was calling us, and we heeded its call. But where to go? We decided, ultimately, on Morecambe.
Morecambe has a special place in the hearts and minds of the Lisabet family. To start, it’s a favourite destination of her brother, Dwight. Additionally, Lisabet has fond memories of visiting Morecambe with her grandparents for a stroll along the promenade, perhaps with a pit stop for some tea and a slice of cake for good measure.
Morecambe was set up by the Morecambe Harbour and Railway Company to connect the nearby fishing village of Poulton-le-Sands with a railway line. The Company expanded the railway line further. In the 1850s Morecambe was connected to Skipton, Keighley, and Bradford in the West Riding of Yorkshire, and a settlement began to grow around the harbour and railway to service the port and as a seaside resort.
In time, Morecambe became known as the UK seaside resort, which peaked in the middle of the 20th century. In fact, Coco Chanel was known to fly directly to Morecambe from the South of France for weekends at the town, staying at the Midland Hotel.
Like most UK seaside resorts, Morecambe experienced a decline from the 1970s onwards. Even the jewel of the Morecambe promenade, the Midland Hotel, fell into disrepair until its resurrection in 2008.
Plans are afoot, though, to continue the rejuvenation of Morecambe, including the ambitious Eden Project North, no doubt following on from the success of the first Eden Project in Cornwall.
On this day, weather and light conditions were very generous, and Lisabet and I enjoyed several hours along the promenade, soaking in the massive scenes across Morecambe Bay towards the Lakeland fells.
All photos shot on my Fujifilm X-T2 using two of my prime lenses: a Fujinon 23mm f/2.0, and a Laowa 9mm f/2.8. All images made in-camera using Øyvind Nordhagen’s Daylight Fujifilm recipe.